Unless you've been living under a rock, you'll know about the upcoming Kick-Ass 2 film, due for release in the UK in August 2013. While that was an entirely separate comicbook series, Titan Books were kind enough to send me a copy of the prelude that slots in nicely between the two films. Read my review of the original Kick-Ass graphic novel here.
Plot summary: Hit-Girl spins off into her own blood-soaked saga! Mindy tries to settle down as a regular schoolgirl, but really wants to be dispensing justice to the scum of New York. She takes Kick-Ass on as her sidekick, and, in return,he is helping her to survive school - without spilling anyone's blood. But when Kick-Ass gets benched, leaving her to face the mafia solo, even Hit-Girl may be in over her head.
Created by Mark Millar and John Romita Junior, the duo that brought us the original Kick-Ass, the prelude takes place a short while after the first graphic novel. While it is necessary to have read that before picking up this (although why you'd pick this one up first anyway, I don't know), this isn't necessary to read Kick-Ass 2. Are we all caught up? Excellent.
I've watched the trailer for the new movie a couple of times now (and it looks amazing), and there are definitely scenes from this graphic novel in there. Clearly the main storyline is that contained in Kick-Ass 2, but with a little bit of backstory from this prelude.
Because that's pretty much what this is - backstory. Or perhaps, as it takes place after the original, we should call it inbetweenstory. It's much more domestic than the others - Hit-Girl is struggling to fit in at school, having missed out on what you'd call a normal childhood, and Kick-Ass has pretty much realised how crap he is and wants some proper training. Cue their deal.
Chris Genovese also features fairly frequently as he works on his plan to become a Super Villain. For me, this was the shining part of the book - he never actually comes into contact with Kick-Ass or Hit-Girl, but that doesn't matter. I can see this backstory actually tieing in to Kick-Ass 2 in a very important way, and it's fascinating to watch him develop. Parts are quite dry and amusing, which is a complete change of tone from the first movie.
There is a mini-plot involving some bad guys, but it very much takes a backseat as the focus is definitely on Kick-Ass and Hit-Girl's lives. It's still quite violent, but nowhere near as horrific as the first one. There's nothing that shocked me really, while a few images from the original actually made me blink.
I'm not automatically classing 'lack of violence' as a bad thing, of course. I'm just not sure there was a need for this prelude really. I enjoyed reading it but I don't think it's added anything to my understanding of Kick-Ass 1 or 2. It will be nice to recognise the scenes in the film from here, but I don't think it's really necessary for anything else.
It's a nice looking and interesting graphic novel for diehard Kick-Ass fans, but not really necessary for the casual reader/watcher.
I saw the Kick-Ass movie when it first came out in 2010. I was vaguely aware that it was a graphic novel at the time, but had little to no interest in actually reading it, as for some reason I wasn't that bothered about this medium back then. More fool me. Now though... let's just say I'm more open-minded. So when we watched the film again last week in preparation for Kick-Ass 2, I just had to read the graphic novel that kicked off the whole thing.
Plot summary: Dave Lizewski is just another ordinary American teenager. He likes girls, videogames and comic books. But sometimes an ordinary life isn't enough. His transformation into KICK-ASS, the world's first real-life superhero, makes him an overnight internet sensation.
The public loves him. The underworld fears him. Then he meets pint-sized lethal weapon Hit-Girl and her intimidating partner Big Daddy, and things start to get really serious. And very, very violent.
So yes, this is a superhero series, but not like you're thinking. This is set in our world, the real world, where kryptonite and Bat Caves exist only in fiction. Dave is just a normal boy on the street, who suddenly wonders why nobody has ever tried to emulate one of the heroes from his comicbooks. It's actually a very clever idea and makes you actually see his point - why has nobody done this before?*
It's very story-centered, for a graphic novel. By that I don't mean that the art isn't good (because it is), it's just that the focus is clearly on the plot and characters, not aesthetics. There are some fairly striking panels, but nothing that's going to blow your mind (except at very close range with a very large gun, but we'll get to that). To clarify, it's a good thing - I've read too many graphic novels that are very well-drawn but have no actual substance beyond that and the story in Kick-Ass can more than stand on its own two feet.
While the plot is very similar to the movie on the whole, the general tone of it is different. It's much less cartoon-y, ironically. While I wouldn't say it's anywhere near 'serious,' the whole Hit-Girl going on a ninja-rampage to a background of cheerful goofy music just doesn't fit with what I've read. There's more genuine fear, more torture and more adult conversation with fewer one-liners, time-fillers and quirky music. The ending is slightly different as well and there's less about him actually deciding to become Kick-Ass.
And the violence, wow. It's worse than the film and that was an 18. It's not necessarily that what's drawn is more graphic (although it is in some cases), but the violence/torture suggested is fairly horrific from page one. I'm not going to give examples, but just trust me on this one - it's bad. However, it is actually necessary for the plot and it does fit. Yes, there is an awful lot of it but it's not shoved in for shock value - I genuinely believe it wouldn't have worked without it and I'm not normally one for gratuitous violence.
I like Hit-Girl quite a lot. She's obviously violent and trained in every weapon you could imagine, but yet she's actually quite innocent and that shines through occasionally. Big Daddy is less irritating than in the film too, which is a plus. I like Nicholas Cage as much as the next person, but if he said 'child' in that stupid voice one more time I was going to show him what 'violent' really meant.
Honestly, there's not a whole lot I can find to complain about in Kick-Ass. It's definitely not for children or for those particularly squeamish, but if you can deal with violence when it's necessary for the plot then I would definitely pick this up. It's perfect for anybody picking up a graphic novel for the first time or for more seasoned readers. Either way, I can't recommend this highly enough.
* Except they have.**
** I actually live here!
See my other graphic novel reviews here.
