Showing posts with label scotland. Show all posts
Showing posts with label scotland. Show all posts

Monday, 22 June 2015

Review: Cross Stitch (Outlander #1) by Diana Gabaldon

Book cover of Cross Stitch (Book One Outlander series) by Diana Gabaldon
Cross Stitch, the first book of the Outlander series that has recently been made into an Amazon Prime TV show, has been on and off my wishlist for years. I'll add it because it seems fun and interesting, but then remove it a few weeks later because it looks unecessarily long and it must have a Mills and Book-alike cover for a reason, right!? 

My point is, I could have read this book years earlier. I hate that.

Plot summary:
In 1945, Claire Randall is back from the war and reunited with her husband on a second honeymoon in Scotland. Innocently she walks through a stone circle in the Highlands, and finds herself in a violent skirmish taking place in 1743. Suddenly she is a Sassenach, an outlander, in a country torn by war and by clan feuds. 

A wartime nurse, Claire can deal with the bloody wounds that face her. But it is harder to deal with the knowledge that she is in Jacobite Scotland and the carnage of Culloden is looming. Marooned amid the passion and violence, the superstition, the shifting allegiances and the fervent loyalties, Claire is in danger from Jacobites and Redcoats - and from the shock of her own desire for James Fraser, a gallant and courageous young Scots warrior. Jamie shows her a passion so fierce and a love so absolute that Claire becomes a woman torn between fidelity and desire, and between two vastly different men in two irreconcilable lives.

Do you ever get that feeling where you know you're going to fall in love with a book by the end of the very first page? On the face of it, the blurb doesn't sound like my usual cup of tea at all. I mean, peri-wartime nurse gets transported to 1740s Scotland where she falls in love with a manly rebel... BUT SHE ALREADY HAS A HUSBAND!? No, thanks. I'll be alright.

Except I don't think I could possibly be alright if I never got to finish this series. There's just something about the tone of the book that infers a touch of respectability to a plot that could turn very silly very quickly. There's a pervading atmosphere throughout, whether Claire is on an isolated Scottish moor or in a bustling castle kitchen, it always seems so real. If I had to sum this book up in one word, it would be 'immersive.' Whenever I picked up this book, I instantly became part of the fictional world - it's just that well-crafted.

Initially I was worried that this would go over my head as I know next to nothing about this period (or most others, to be fair) of Scottish history, but it takes the time to explain what's happening without ever being condescending. To be fair, the rebellion and the Jacobite plots form more of a sub-plot than the main focus anyway. 

There was one point in the story that actually made me literally gasp out loud. A plot twist that I'd never have seen coming and it just made absolute perfect sense. I had to put the book down and excitedly text Charlotte, just in case she'd somehow missed this gigantic revelation when she'd read the book herself. She hadn't, naturally. But it's just SO GOOD. 

I quite liked Claire herself, and she did have the potential to annoy me rather a lot. I appreciated how she didn't just immediately accept that she'd been transported to 1743 and merrily go on her way, like a lot of other protagonists in these books. It took her a while to come to terms with the implications of her new life and to actually believe what the hell was going on. That takes an awful lot more effort to write than "Oh cool, Scotland, you say!? Awesomesauce."

The one thing that bothered me about Cross Stitch, and I'm not usually sensitive to this kind of thing, was Jamie's treatment of Claire. Well, no. That's not strictly true. I understand that, in the past, women were treated in a manner that we now see as barbaric, and it would be unreasonable to expect historical fiction authors to pretend it never happened. So I can deal with that. I wouldn't say I enjoy it, but I accept it as probably not being too far from the truth.

What did bother me was Claire's complete acceptance and self-justification of the beatings she received. She made a token objection at first and then managed to totally reason it out to herself, and it WASN'T because she was trying to hide her identity. I just feel that this isn't in keeping with a World War II nurse somehow - you have a backbone in the rest of the book, where did you hide it then!?

It also doesn't show a lot of consistency for Jamie's character, which comes across throughout a lot of the novel. He's sold as the gentle, educated Clansmen, to the point where we're constantly told that he's a 23 year old virgin because he's never found the right woman. Fair enough. But then he's actually quite horrible and possessive to Claire, over and above what you'd expect from a man from 1743 (because naturally I'm an expert in such things). I'm having trouble reconciling it as anything but an excuse to shove in some aggressive sex and spanking scenes. Speaking of which, NO MEANS NO, arsebag.
 
I should add that I can't help but see him as the kilted pirate from Essgee Production's version of The Pirates of Penzance. My mother and I know it intimately although it doesn't do Jamie a lot of credit... 

Cross Stitch is 880 pages long but I read the whole damn thing in a few days and I could happily have read more. It's so immersive, even when Claire is just sat cleaning out medical supplies. It's atmospheric and fascinating and... argh. It doesn't matter whether you're in a backgroundy bit or an action bit, it's equally engrossing. I feel like I need the second book, Dragonfly in Amber, quite desperately, so I'm sure you'll be hearing from me soon. In the meantime, READ THIS.


Visit Diana Gabaldon here or find her on Twitter.

Wednesday, 8 October 2014

Review: The Vintage Girl by Hester Browne

Uk book cover of The Vintage Girl by Hester Browne
Why yes, we are still discussing the books I was given for my birthday and yes, they are still the only books I have access to. Thank you for asking. The Vintage Girl was also sent to me by Charlotte - clearly she just has good taste in literature.

Plot summary: When Evie Nicholson is asked to visit Kettlesheer Castle in Scotland to archive the family heirlooms, she jumps at the chance. Evie's passion for antiques means that, for her, the castle is a treasure trove of mysteries just waiting to be uncovered.

But in each heirloom lies a story, and in the course of her investigations Evie stumbles upon some long-buried family secrets. Add handsome, gloomy heir Robert McAndrew and a traditional candlelit gala to the mix and Evie's heart is sent reeling with an enthusiasm that may just extend beyond the Kettlesheer silver... 


I'm picky about my chick-lit (I don't like the term but I don't know what else to call it) - I'm only really interested if there's a twist to it. I don't want 'boy meets girl,' I want 'boy meets girl who has a really interesting job and there are probably some issues around that as well,' or something vaguely similar. Not only does The Vintage Girl fit neatly into that latter category, I also read Hester Browne's The Little Lady Agency years ago and completely fell in love with it.

It made me laugh out loud by the second page, which is always a good start. Frankly, it's a charming, lovely book. It's written very well in a casual, chatty tone that never 'clunks' or makes me cringe and actually emphasises the other plotline - saving Kettlesheer Castle and uncovering the family secrets from a century ago. It's a very nice balance that never made me feel like I was being patronised.

Evie herself isn't your typical fluffy, useless heroine - tripping over her own feet and breaking the china, etc. That said, she's hardly Superwoman either and it's quite refreshing to having a protagonist that I can actually relate to. I couldn't actually tell which of the romantic interests she was going to end up with because they were both nice (which makes a change) so it gave me something to look forward to.

   Along with his suggestive mouth and cavalier way with priceless heirlooms, his hair was one of his redeeming features, being thick and black and tinged with grey, in a sort of rakish Shakespearean-actor fashion. In idle moments, I sometimes pictured him in a doublet and ruff, complaining about the price of lampreys.
   Sadly, the hair and mouth did not make up for the foul temper, the inability to work a credit-card machine, or the biting sarcasm that he liked to think was Wildean but usually made him come across more like a petulant geography teacher.

My only complaint was that the ending is slightly anti-climactic and that certain people didn't really get their comeuppance. I have a Thing about that - when fictional characters misbehave, then they should Have to Learn (it's also the only thing wrong with Pride and Prejudice - damn it Lydia!). Anyway, I just felt that the ending could have been built up a little more or perhaps been slightly more dramatic. 

I now want to read everything Hester Browne has ever written and also reread The Little Lady Agency. I read the entirety of The Vintage Girl in one day just because it made me feel so content and relaxed. It's a lovely unique book - well-written chick-lit with a twist!

This book was:
Visit Hester Browne's website or find her on Twitter.

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